Tag Archives: key

Dominant 7 Arpeggios

Arpeggios are hard. Most people don’t enjoy learning them, but they are critical if you want to understand how to improvise over chord changes. It’s important to be able to find chord tones on the guitar and arpeggios are the best way to do that. Dominant 7 arpeggios are a good place to start because secondary dominants are so common. If you know your C scale and the E7, A7, and D7 arpeggios you can easily play over All of Me, for example. Take a look at these fingerings for dominant 7 arpeggios. If you have already learned these major scale fingerings, you will notice that the arpeggios come out of the scales, based off of the 5th. A great way to learn these fingerings is to play a C scale and then play the G7 arpeggio that is found within the scale. Just leave out the C, E, and A notes. Once you are fluent with dominant 7 arpeggios in all keys you can start learning some other arpeggios such as Maj7, min7, min7(b5) and dim7.

I am using arpeggios in my playing all the time, even when I am not playing them straight up or down. When I am playing chromatically, I like to start and end my lines on chord tones. The arpeggios that I have practiced form an underlying structure over which I build my linear ideas. This is true for all styles of music, not just jazz. There is a difference between choosing a scale that sounds good with a certain set of chords and choosing notes to target at particular structural points in a chord progression. Finding those chord tones can actually free you from the confines of a particular scale.

Good luck practicing your arpeggios, and have fun figuring out how to apply them creatively!


Do you really know your major scales?

I mean, can you play your major scales in all keys all across the fretboard? If not, you might consider checking out these fingerings. And, you might also consider coming to my class on the 17th of August at 2:00. I will be teaching the major scale fingerings and showing students how to change keys without having to jump all over the fretboard as well as how to play all over the fretboard in any key.

Major scales are the building blocks for most of your other scales, chords, modes, and arpeggios. Knowing them in all keys as well as knowing how to spell them and how they are built is just critical.

If you are interested in this class please contact me for details. Otherwise, get practicing! Those major scales are important and they don’t learn themselves!